New Album Review: “Foolin’ Around” by Jörg Danielsen

We are thrilled to present an insightful review of our latest album, “Foolin’ Around” by Jörg Danielsen, as featured in Bluesnews.fi. This comprehensive review is crafted by Jari Kolari, whose expertise in the blues genre offers a deep understanding of the album’s essence and impact.

About the Artist

Jörg Danielsen, the esteemed leader of the Vienna Blues Association, plays a pivotal role in promoting Austrian blues across Europe. His recent participation with his band in the 2023 European Blues Challenge in Poland is a testament to his dedication to the genre. “Foolin’ Around” is distinguished as Danielsen’s sixth full-length album, noted for its deep immersion in the blues.

Album Composition

The album is a blend of Danielsen’s songwriting prowess and his interpretation of classic blues. It features seventeen tracks, with ten originals and seven covers. Danielsen’s trio, consisting of himself on guitar and vocals, Martin Melze on bass, and Christoph Karas on drums, is enriched by guest artists like pianists Anita Fabiani and Christoph Karas, guitarists Chino Swingslide and Federico Verteramo, and harpists Tota Blues, Jorge Costales, and Juraj Schweigert.

Musical Diversity

“Foolin’ Around” traverses a spectrum of blues styles. Tracks like “She Wants To Dance” and “I’ll Be Your Doctor” exhibit Jimmy Reed’s influence, while “JD Boogie” and the title track “Foolin’ Round” delve into West Coast and Hooker-boogie styles, respectively. The album also includes slower tunes like Danielsen’s “What A Time” and Mark Rice’s “Cold Woman With Warm Hearts,” alongside a unique doo-wop version of Willie Dixon’s “29 Ways.”

Distinctive Covers

The album features notable covers such as Joe Liggins’ “Ain’t Drunk,” Shifty Henry’s “Let Me Go Home Whiskey,” and Buster Brown’s “Fannie Mae,” each given a unique twist by Danielsen and his band.

Album’s Reception

As noted by Jari Kolari, “Foolin’ Around” is an exceptional work in its calm and reflective approach, offering a refreshing contrast to today’s fast-paced musical landscape. This album not only celebrates the roots and evolution of blues music but also highlights Jörg Danielsen’s skillful interpretation and presentation of the genre.